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	<title>LarryEiss.com Welcomes You!</title>
	
	<link>http://blog.larryeiss.com</link>
	<description>photography, woodworking, and such as may strike my fancy</description>
	<pubDate>Sat, 15 Nov 2008 22:31:31 +0000</pubDate>
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		<title>Lens and Camera Comparison</title>
		<link>http://blog.larryeiss.com/2008/11/13/lens-and-camera-comparison/</link>
		<comments>http://blog.larryeiss.com/2008/11/13/lens-and-camera-comparison/#comments</comments>
		<pubDate>Thu, 13 Nov 2008 21:04:24 +0000</pubDate>
		<dc:creator>Larry</dc:creator>
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		<category><![CDATA[Photography]]></category>

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		<guid isPermaLink="false">http://blog.larryeiss.com/?p=351</guid>
		<description><![CDATA[Earlier this year I set up my studio strobes in our finished basement and experimented with light and lenses.  While the light-control portion of my experimentation will be the subject of another post, I wanted to take some time to talk about lenses.
I have the following lenses in my collection:
Nikon 18-55mm f/3.5-5.6 DX G ED [...]]]></description>
			<content:encoded><![CDATA[<p>Earlier this year I set up my studio strobes in our finished basement and experimented with light and lenses.  While the light-control portion of my experimentation will be the subject of another post, I wanted to take some time to talk about lenses.</p>
<p>I have the following lenses in my collection:</p>
<p>Nikon 18-55mm f/3.5-5.6 DX G ED one of two lenses that came with my D50 kit.</p>
<p>Nikon AF Micro Nikkor 60mm f/2.8 D, my fastest and sharpest lens.</p>
<p>Nikon 55-200mm f/4.5-5.6 DX G ED, the other kit lens that came with the D50.</p>
<p>SIGMA 50-500mm f/4-6.3 D APO EX HSM, my long zoom.</p>
<p>None of these lenses have Vibration Reduction (VR) or IS (Image Stabilization) in Canon-speak.  The two kit lenses are lightweight plastic units that cost around $100 each.  The SIGMA is an $1100 lens, though I bought it used for much less than that, and the Macro lens runs around $450.  It&#8217;s a very nice piece of glass.</p>
<p>When I was experimenting in the basement &#8220;studio&#8221; I had borrowed a truly excellent lens from my good friend Peter.  He was gracious enough to loan me his Nikon 70-200mm f/2.8 VR!  After shooting it a while I got wondering just how much you actually get when you spend $1700 instead of $1100 or even (gasp!) $100.</p>
<p>To experiment with portraits in a studio you have to have a model.  I can&#8217;t get my dog to sit, let alone a real person, so I shoot a doll.  (insert a pause to make room for your laughter) OK, do we have control of ourselves again?  Great. Now where was I?  Oh yeah. Dolls actually make great models because they have the correct coloring, similar texture, and they never blink!</p>
<p>So the idea crosses my mind that I have three lenses that can shoot at a 200mm focal length, and I have two camera bodies.  The D50, and my, then shiny new, D300.  So I decided to mount each lens and make the same shot with each.  Then I also got the bright idea to try shooting the same thing through the best lens with the 6.5 megapixel D50 and again with the 12.3 megapixel D300.  The results were interesting.</p>
<p>First up is the SIGMA.  Pay very close attention to the right eye; especially the tips of the lashes and the iris.</p>
<p>The second image is out of my &#8220;kit&#8221; lens, the 55-200mm.</p>
<p>And the last image is from the amazing 70-200mm f/2.8.</p>
<div id="attachment_352" class="wp-caption alignnone" style="width: 510px"><a href="http://blog.larryeiss.com/wp-content/uploads/2008/11/lenstest.jpg"><img class="size-full wp-image-352" title="lenstest" src="http://blog.larryeiss.com/wp-content/uploads/2008/11/lenstest.jpg" alt="Lens Test" width="500" height="599" /></a><p class="wp-caption-text">Lens Test</p></div>
<p>What surprised me about this very informal, yet fairly real-world, test was that the $100 kit lens looks sharper and seems to let in more light than the $1100 SIGMA!  I expected the Nikon 70-200mm f/2.8 to perform, and it didn&#8217;t disappoint, but that little kit lens is no slouch either.  When you compare the price, you have to ask yourself if it&#8217;s worth $1600 to get that little extra detail, clarity, and sharpness.</p>
<p>Unfortunately, my answer turns out to be, &#8220;Yes.&#8221;  I think I would spend the money for that awesome lens because I could add a 1.7x teleconverter and it can be a very widely usable lens with excellent sharpness.  I love sharpness.</p>
<p>After I had shot these image, I thought it would be interesting to mount both the D50 and the D300 on the same lens (with larger lenses you sort of mount the camera to the lens rather than mounting the lens to the camera) and see what the outcome would be.</p>
<p>In this case, I used the Nikon 70-200mm f/2.8 lens on the D300 to make the image on the left, and mounted on the D50 to make the image on the right.  My software reports the size of the NEFs (raw files) to be 10.4 and 5.1 MB respectively.</p>
<div id="attachment_353" class="wp-caption alignnone" style="width: 510px"><a href="http://blog.larryeiss.com/wp-content/uploads/2008/11/cameratest.jpg"><noscript><a href="http://www.videnov.com/">&#1084;&#1077;&#1073;&#1077;&#1083;&#1080;</a></noscript><img class="size-full wp-image-353" title="cameratest" src="http://blog.larryeiss.com/wp-content/uploads/2008/11/cameratest.jpg" alt="Camera Test" width="500" height="399" /></a><p class="wp-caption-text">Camera Test</p></div>
<p>Notice that the D300 makes the lens look a lot better than the D50 does.  This isn&#8217;t surprising or unexpected, but I point it out because if you plan to upgrade to a pro, or &#8220;pro-sumer&#8221; level camera, it&#8217;s a good idea to realize that the actual quality of your lenses will be more apparent than they are on the consumer-level equipment.</p>
<p>To view these images larger, click on them or go over to the <a href="http://photos.larryeiss.com/coppermine/index.php">Gallery</a> and look in the Tutorial album.</p>
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		<title>Philippines Photos</title>
		<link>http://blog.larryeiss.com/2008/11/10/philippines-photos/</link>
		<comments>http://blog.larryeiss.com/2008/11/10/philippines-photos/#comments</comments>
		<pubDate>Mon, 10 Nov 2008 18:08:59 +0000</pubDate>
		<dc:creator>Larry</dc:creator>
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		<description><![CDATA[I have uploaded a few photos from my recent trip to the Philippines.  We spent time in a small rural village near Surigao City on the island of Mindanao.  There are also a few other images that I wanted to make available, so if you see birds or flowers from the U. S., that&#8217;s the [...]]]></description>
			<content:encoded><![CDATA[<p>I have uploaded a few photos from my recent trip to the Philippines.  We spent time in a small rural village near Surigao City on the island of Mindanao.  There are also a few other images that I wanted to make available, so if you see birds or flowers from the U. S., that&#8217;s the reason.</p>
<p><a href="http://photos.larryeiss.com/coppermine/thumbnails.php?album=lastup&amp;cat=0">Please enjoy.</a></p>
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		<title>How to Shoot the Nikon D300</title>
		<link>http://blog.larryeiss.com/2008/10/15/how-to-shoot-the-nikon-d300/</link>
		<comments>http://blog.larryeiss.com/2008/10/15/how-to-shoot-the-nikon-d300/#comments</comments>
		<pubDate>Thu, 16 Oct 2008 02:52:01 +0000</pubDate>
		<dc:creator>Larry</dc:creator>
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		<guid isPermaLink="false">http://blog.larryeiss.com/?p=343</guid>
		<description><![CDATA[The most wonderful woman in the world and I have been celebrating our thirtieth (30th) year of marital bliss.  We decided to make it a year-long event, and our bank accounts make it clear that we succeeded.  One of the gifts I received came to me in July, very near our actual anniversary date.  My [...]]]></description>
			<content:encoded><![CDATA[<p>The most wonderful woman in the world and I have been celebrating our thirtieth (30th) year of marital bliss.  We decided to make it a year-long event, and our bank accounts make it clear that we succeeded.  One of the gifts I received came to me in July, very near our actual anniversary date.  My wonderful wife gave me a camera upgrade!</p>
<p>Having shot nearly 20,000 images on my D50, I was absolutely elated when she told me to go get a shiny new D300.  I added a few accessories like the MB-D10 vertical grip, and a few high-speed CF cards and began shooting as soon as I had some juice in the batteries.</p>
<p>After the initial fun of trying all the buttons and features, such as Live-View, and setting the camera up by going through all the menus and selecting initial settings was over, I was very concerned that I might have wasted our money.</p>
<p>I couldn&#8217;t enjoy the new ability to shoot at ISO 800 with no perceptible noise.  I didn&#8217;t benefit from the blazing nine-frames-per-second frame rate.  The wonderful high-resolution three-inch LCD on the back of the camera simply mocked me.  You see, the first 400 or so images I shot on the D300 were absolutely terrible!  I felt like I knew nothing about photography whatsoever.</p>
<p>I was desperate, so I decided to buy <a href="http://www.bythom.com" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.bythom.com');">Thom Hogan&#8217;s</a><font style="position: absolute;overflow: hidden;height: 0;width: 0"><a href="http://sikongroup.com/rentacar/index.htm" onclick="javascript:pageTracker._trackPageview ('/outbound/sikongroup.com');">rent a car bulgaria</a></font> <a href="http://www.bythom.com/nikond300guide.htm" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.bythom.com');"><em>Complete Guide to the Nikon D300</em></a>.  I read all 760-some-odd pages in two days.  Thom is <strong>the guy</strong> to read if you shoot Nikon.  He wrote that the D300 uses a different approach to balancing shutter speed, aperture, and ISO than the consumer cameras like the D50 when shot in Programmed Automatic (P) mode.</p>
<p>When shooting the D50, I had come to expect that the camera would change the aperture and ISO before adjusting the shutter speed.  This meant that shutter speed was preferred over these settings in P mode.  The D300 doesn&#8217;t work like that at all.  It assumes that you know what effect you are looking for in your photo and that therefore aperture should be preferred to preserve depth-of-field if at all possible.  Consequently, the D300 was preferring to shoot at much slower shutter speeds than my D50 would given the same light.  This resulted in most of my pictures falling victim to camera shake&#8211;I can&#8217;t hand-hold well at all.</p>
<p>So, a word to the wise.  Before you step up to a professional ( or &#8220;pro-sumer&#8221;) camera, be sure you are ready to shoot like a pro.  It took me a long time to learn to really prepare for a photograph before releasing the shutter.  I&#8217;ve learned to check the camera settings much more regularly than I ever did with the more forgiving D50.</p>
<p>Finally, I am making better images with the D300.  The pain was worth it because it made me a better photographer.</p>
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		<title>New Gallery Images</title>
		<link>http://blog.larryeiss.com/2008/10/09/new-gallery-images/</link>
		<comments>http://blog.larryeiss.com/2008/10/09/new-gallery-images/#comments</comments>
		<pubDate>Thu, 09 Oct 2008 15:44:35 +0000</pubDate>
		<dc:creator>Larry</dc:creator>
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		<description><![CDATA[I have placed 16 27 new images into the Gallery.  These represent work done since June of this year.
You&#8217;ll also note that the Gallery looks a little different than it did before.  I upgraded the gallery software I use and culled some of the worst images from the albums.  In addition, I have reorganized things [...]]]></description>
			<content:encoded><![CDATA[<p>I have placed <span style="text-decoration: line-through;">16</span> 27 new images into <a href="http://photos.larryeiss.com/coppermine/index.php?cat=0" target="_self">the Gallery</a>.  These represent work done since June of this year.</p>
<p>You&#8217;ll also note that <a href="http://photos.larryeiss.com/coppermine/index.php?cat=0" target="_self">the Gallery</a> looks a little different than it did before.  I upgraded the gallery software I use and culled some of the worst images from the albums.  In addition, I have reorganized things so that images that will be used in Blog posts for tutorial purposes now have their own album in <a href="http://photos.larryeiss.com/coppermine/index.php?cat=0" target="_self">the Gallery</a>.  This should make it possible to look at them more carefully when reading posts.</p>
<p>Be sure to take a look. When you click on an individual image, there is a place below the picture where you can rate it and even make comments.  Don&#8217;t worry, I won&#8217;t be offended if you make critical comments.</p>
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		<title>Waking After a Lengthy Sleep</title>
		<link>http://blog.larryeiss.com/2008/10/08/waking/</link>
		<comments>http://blog.larryeiss.com/2008/10/08/waking/#comments</comments>
		<pubDate>Wed, 08 Oct 2008 18:45:09 +0000</pubDate>
		<dc:creator>Larry</dc:creator>
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		<guid isPermaLink="false">http://blog.larryeiss.com/?p=217</guid>
		<description><![CDATA[It has been a very long time since I posted here, and for that I apologize.  This summer has been one of the busiest of my life.  I hope that things will be a bit more settled now and that I can once again post more regularly.
I have several posts in mind in both the [...]]]></description>
			<content:encoded><![CDATA[<p>It has been a very long time since I posted here, and for that I apologize.  This summer has been one of the busiest of my life.  I hope that things will be a bit more settled now and that I can once again post more regularly.</p>
<p>I have several posts in mind in both the photography and woodworking categories.</p>
<p>In photography I&#8217;ll begin right away with a few thoughts on shooting the Nikon D300.  I also have some insights on lenses and how they differ.  Comments on shooting portraits in the studio are also forthcoming.</p>
<p>In the woodworking category, I&#8217;ll provide a link to an excellent video by the Wood Whisperer on using varnish, of all things, on end-grain cutting boards.</p>
<p>I also expect to add new photos to the Gallery very soon.  It has been many months, so I have gathered a respectable group of what I hope are respectable images.  You&#8217;ll have to be the final judge of that, of course.</p>
<p>Please keep an eye out, and tell others as well.</p>
<p>Thanks,<br />
Larry</p>
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		<title>I’ve been tagged!</title>
		<link>http://blog.larryeiss.com/2008/06/02/ive-been-tagged/</link>
		<comments>http://blog.larryeiss.com/2008/06/02/ive-been-tagged/#comments</comments>
		<pubDate>Mon, 02 Jun 2008 09:00:34 +0000</pubDate>
		<dc:creator>Larry</dc:creator>
		
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		<description><![CDATA[Walter Smetsers over at Dutch Business Intelligence Blog tagged me as part of a kind of round-robin posting designed to stimulate traffic and provide insights into the Bloggers who have been tagged.
Here are the rules:

Each player starts with eight random facts/habits about themselves.
People who are tagged need to write a post on their own blog [...]]]></description>
			<content:encoded><![CDATA[<p>Walter Smetsers over at <a href="http://wisdom.smetser5.nl/" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/wisdom.smetser5.nl');">Dutch Business Intelligence Blog</a> <a href="http://wisdom.smetser5.nl/index.php/2008/05/15/tagged-for-meme-thanx-j/" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/wisdom.smetser5.nl');">tagged me</a> as part of a kind of round-robin posting designed to stimulate traffic and provide insights into the Bloggers who have been tagged.</p>
<p>Here are the rules:</p>
<ul>
<li>Each player starts with eight random facts/habits about themselves.</li>
<li>People who are tagged need to write a post on their own blog (about their eight things) and post these rules.</li>
<li>At the end of your blog, you need to choose eight people to get tagged and list their names.</li>
<li>Don&#8217;t forget to leave them a comment telling them they&#8217;re tagged, and to read your blog.</li>
</ul>
<p>Here are the eight things about me:</p>
<ol>
<li>For the first six years of my life, we had no indoor toilet facilities in our house.  Instead we had an <a href="http://en.wikipedia.org/wiki/Outhouse" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/en.wikipedia.org');">outhouse </a>in the backyard.</li>
<li>For seven years, I commuted three hours each way to get to and from work.  That&#8217;s six hours of travel each day if <a href="http://www.amtrak.com/servlet/ContentServer?pagename=Amtrak/HomePage" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.amtrak.com');">the train</a> ran on time, which it often did not!</li>
<li>For eight years, I was an independent computer consultant and wrote applications for a wide variety of customers using several programming languages and tools.</li>
<li>In 1991, inspired by the work of <a href="http://en.wikipedia.org/wiki/Grady_Booch" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/en.wikipedia.org');"></a><span style="overflow: hidden; position: absolute; height: 0pt; width: 0pt;"><a href="http://kvantservice.com/" onclick="javascript:pageTracker._trackPageview ('/outbound/kvantservice.com');">????????</a></span>Grady Booch, I wrote a paper entitled <em>Introduction to Object Oriented Theory</em> <em>and Concepts</em>.</li>
<li>I have another Blog entitled <a href="http://www.alaymansthoughts.com" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.alaymansthoughts.com');">A Layman&#8217;s Thoughts</a>.</li>
<li>I became a grandfather at the age of 44 and now have three wonderful grandchildren, the oldest of whom is five.</li>
<li>I plow snow from my driveway with a little Farmall-Cub farm tractor that was built around 1947.</li>
<li>In July, I will have been very happily married to the most wonderful woman in the world for 30 years.</li>
</ol>
<p>Now I have to tag eight other Bloggers.  I tag:</p>
<ol>
<li>Mrs. Meg Logan at <a href="http://www.meglogan.com/" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.meglogan.com');">Meg Logan&#8217;s Blog</a></li>
<li>Steve Mann at <a href="http://ablebrains.typepad.com/" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/ablebrains.typepad.com');">AbleBrains</a></li>
<li>Bill McCann at <a href="http://iambillmccann.blogspot.com/" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/iambillmccann.blogspot.com');">What Did We Learn Today?</a></li>
<li>Brian White at <a href="http://www.backgroundexposure.com/blog/" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.backgroundexposure.com');">Background Exposure</a></li>
<li>Arthur Eiss at <a href="http://www.arthureiss.com/" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.arthureiss.com');">Art vs. God</a></li>
<li>Mickey Grackin at <a href="http://www.oicproductions.net/" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.oicproductions.net');">OIC Productions</a></li>
</ol>
<p>Well, that&#8217;s all I can come up with, so I guess I&#8217;ve broken the rules!</p>
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		<title>More on JPEG vs. RAW</title>
		<link>http://blog.larryeiss.com/2008/05/23/more-on-jpeg-vs-raw/</link>
		<comments>http://blog.larryeiss.com/2008/05/23/more-on-jpeg-vs-raw/#comments</comments>
		<pubDate>Sat, 24 May 2008 01:57:43 +0000</pubDate>
		<dc:creator>Larry</dc:creator>
		
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		<description><![CDATA[My magical photographer friend from Australia Roy Hopwood sent me a message after my last post on RAW vs. JPG .  In it he mentioned a few reasons why he has favored JPEG over RAW.  I was reminded by his statements that I had the same concerns before finally deciding to shoot RAW.
Size [...]]]></description>
			<content:encoded><![CDATA[<p>My magical photographer friend from Australia <a href="http://www.roy.endeavourentertainment.com/" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.roy.endeavourentertainment.com');">Roy Hopwood</a> sent me a message after my last post on <a href="http://blog.larryeiss.com/2008/05/10/raw-vs-jpeg/">RAW vs. JPG</a> .  In it he mentioned a few reasons why he has favored JPEG over RAW.  I was reminded by his statements that I had the same concerns before finally deciding to shoot RAW.</p>
<p><strong>Size Matters:</strong><br />
One of the <em>biggest</em> problems with which both Roy and I struggled is the fact that RAW images, especially if you add a JPEG as well, take up a lot of space on memory cards.</p>
<p>Both Roy and I shoot the Nikon D50.  This camera uses SD cards and is old enough that it does not support the new high capacity standard.  That means that the largest card that can be used is 2 Gigabytes (GB).</p>
<p>When I shot JPEG only, even 1GB cards would hold nearly 1000 images.  Shooting RAW plus JPEG as I now do, a 2GB card holds fewer than 250!  Size is an important problem and a difficult one to handle.</p>
<p>I have addressed it in two ways.  I now have multiple <a href="http://www.amazon.com/gp/search?ie=UTF8&amp;keywords=2%20GB%20SD%20cards&amp;tag=larryeisscom-20&amp;index=blended&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325" onclick="javascript:pageTracker._trackPageview ('/outbound/www.amazon.com');">2GB cards</a><img style="border:none !important; margin:0px !important;" src="http://www.assoc-amazon.com/e/ir?t=larryeisscom-20&amp;l=ur2&amp;o=1" border="0" alt="" width="1" height="1" />; and carry more than one any time I am out shooting.  2GB cards are very inexpensive now that the high-capacity cards are available.   I also move images to my computer at every opportunity.  I have a laptop that I can take with me on vacation, but there are devices (<a href="http://www.amazon.com/gp/search?ie=UTF8&amp;keywords=image%20storage&amp;tag=larryeisscom-20&amp;index=blended&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325" onclick="javascript:pageTracker._trackPageview ('/outbound/www.amazon.com');">not cheap</a><img style="border:none !important; margin:0px !important;" src="http://www.assoc-amazon.com/e/ir?t=larryeisscom-20&amp;l=ur2&amp;o=1" border="0" alt="" width="1" height="1" />) that can substitute for a laptop.</p>
<p><strong>Needed Skills:</strong><br />
Another issue is the fact that RAW images need more manipulation than JPEGs.  When you shoot RAW, each of your images must be loaded into an image editor to be converted to JPEG so people can see them on their computers easily and so they can be printed or used on the Web.  The first time I tried shooting RAW every image I loaded into my editor looked terrible.</p>
<p>At first I thought that this was because I had been taking terrible pictures all along, but the camera was fixing them for me.  RAW images have absolutely zero processing done to them in the camera.  They are nothing more than the raw representation of the photons captured by the image sensor.  Of course they also contain some very significant metadata; some of which we see as EXIF information even in our JPEG images.</p>
<p>But I also noticed that no matter how I processed them I was unable to make these images look as good as the JPEGs had looked.  It turns out that the problem was with my software, Corel Paint Shop Pro.  The RAW converter they provided was terrible.  (Newer versions of <a href="http://www.amazon.com/gp/search?ie=UTF8&amp;keywords=corel%20paint%20shop%20pro&amp;tag=larryeisscom-20&amp;index=blended&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325" onclick="javascript:pageTracker._trackPageview ('/outbound/www.amazon.com');">Paint Shop Pro</a><img style="border:none !important; margin:0px !important;" src="http://www.assoc-amazon.com/e/ir?t=larryeisscom-20&amp;l=ur2&amp;o=1" border="0" alt="" width="1" height="1" /> are much improved, by the way.)</p>
<p><strong>The Right Tools:</strong><br />
Even so, software is <em>very </em>important when processing RAW images.  It is critical to use software with a good RAW converter.  I can&#8217;t speak to the converter in The Gimp, but the latest versions of Paint Shop Pro work well as do Adobe products such as Lightroom, Photoshop, and Photoshop Elements.</p>
<p>If you shoot Nikon like Roy and I do, I&#8217;d strongly recommend that you get a copy of <a href="http://www.amazon.com/gp/search?ie=UTF8&amp;keywords=capture%20nx&amp;tag=larryeisscom-20&amp;index=blended&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325" onclick="javascript:pageTracker._trackPageview ('/outbound/www.amazon.com');">Capture NX</a><img style="border:none !important; margin:0px !important;" src="http://www.assoc-amazon.com/e/ir?t=larryeisscom-20&amp;l=ur2&amp;o=1" border="0" alt="" width="1" height="1" />.  This software is available from Nikon and is created by NIK software.  There is a 30-day trial you can <a href="http://support.nikontech.com/cgi-bin/nikonusa.cfg/php/enduser/std_adp.php?p_faqid=61" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/support.nikontech.com');">download </a>for free as well.</p>
<p>It&#8217;s great for a lot of reasons that I didn&#8217;t initially understand.  Most importantly NX never touches the original bits in your RAW image.  It always makes a copy and works on that.  The copy is stored in the same file as the original image, so this behavior can be less than obvious at first glance.  This means that anything you do to the image can be undone completely and harmlessly.  That simply isn&#8217;t the case with any JPEG image unless you use layers for every change you make.</p>
<p><strong>More Reasons:</strong><br />
When you shoot RAW you can make any adjustment available within your camera (other than stuff like zooming out or changing aperture or shutter speed) after the fact.</p>
<p>So if you accidentally left the camera in Manual, or if your flash wasn&#8217;t ready, and you underexposed the most important shot of the day by two stops because of it, you can just adjust the exposure.  Take a look at this example.</p>
<p><a href="http://blog.larryeiss.com/wp-content/uploads/2008/05/dark7061.jpg"><img class="alignnone size-full wp-image-205" title="dark7061" src="http://blog.larryeiss.com/wp-content/uploads/2008/05/dark7061.jpg" alt="" width="500" height="612" /></a></p>
<p>Open this in Capture NX and drag the slider to show +2 EV&#8230;</p>
<p><a href="http://blog.larryeiss.com/wp-content/uploads/2008/05/cameraadjustments.jpg"><img class="alignnone size-full wp-image-206" title="cameraadjustments" src="http://blog.larryeiss.com/wp-content/uploads/2008/05/cameraadjustments.jpg" alt="" width="247" height="321" /></a></p>
<p><a href="http://blog.larryeiss.com/wp-content/uploads/2008/05/exposurecompensation.jpg"><img class="alignnone size-full wp-image-207" title="exposurecompensation" src="http://blog.larryeiss.com/wp-content/uploads/2008/05/exposurecompensation.jpg" alt="" width="288" height="134" /></a></p>
<p>&#8230;and out comes this:</p>
<p><a href="http://blog.larryeiss.com/wp-content/uploads/2008/05/correct7061.jpg"><img class="alignnone size-full wp-image-208" title="correct7061" src="http://blog.larryeiss.com/wp-content/uploads/2008/05/correct7061.jpg" alt="" width="500" height="614" /></a></p>
<p>If, like me, you also occasionally leave the world of automatic white balance, and then fail to check it before shooting, you might end up with a color cast you don&#8217;t want.  This too can easily be corrected completely in &#8220;post&#8221; with no degradation of the image quality and zero skill on your part beyond knowing how to make a selection from a drop-down list.</p>
<p>This was shot using flash with the camera set to tungsten white balance by mistake.</p>
<p><a href="http://blog.larryeiss.com/wp-content/uploads/2008/05/tungstenbalance700_4677.jpg"><img class="alignnone size-full wp-image-209" title="tungstenbalance700_4677" src="http://blog.larryeiss.com/wp-content/uploads/2008/05/tungstenbalance700_4677.jpg" alt="" width="500" height="332" /></a></p>
<p>A quick change just as simple as the one above in Capture NX&#8230;</p>
<p><a href="http://blog.larryeiss.com/wp-content/uploads/2008/05/wbadjustment1.jpg"><img class="alignnone size-full wp-image-212" title="wbadjustment1" src="http://blog.larryeiss.com/wp-content/uploads/2008/05/wbadjustment1.jpg" alt="" width="500" height="227" /></a></p>
<p>&#8230;yields this:</p>
<p><a href="http://blog.larryeiss.com/wp-content/uploads/2008/05/correctwhitebalance700.jpg"><img class="alignnone size-full wp-image-210" title="correctwhitebalance700" src="http://blog.larryeiss.com/wp-content/uploads/2008/05/correctwhitebalance700.jpg" alt="" width="500" height="332" /></a></p>
<p>For more information see:</p>
<p><a href="http://www.bythom.com/qadraw.htm" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.bythom.com');">Thom Hogan at ByThom</a></p>
<p><a href="http://www.scottkelby.com/blog/2008/archives/1015" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.scottkelby.com');">Scott Kelby</a></p>
<p><a href="http://www.moosenewsblog.com/archives/category/great-stuff/?s=capture+nx&amp;submit=Search" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.moosenewsblog.com');">Moose Peterson</a></p>
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		<title>Food Safe Wood</title>
		<link>http://blog.larryeiss.com/2008/05/19/food-safe-wood/</link>
		<comments>http://blog.larryeiss.com/2008/05/19/food-safe-wood/#comments</comments>
		<pubDate>Mon, 19 May 2008 06:00:39 +0000</pubDate>
		<dc:creator>Larry</dc:creator>
		
		<category><![CDATA[Woodworking]]></category>

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		<description><![CDATA[Back in October of 2007, I wrote an article here entitled Food Safe Wood for Cutting Boards in which I said that I think all the concern over which woods are food-safe is overkill.  I referenced there a study done by Doctors Cliver and Ak of the University of Wisconsin, Madison.  This study [...]]]></description>
			<content:encoded><![CDATA[<p>Back in October of 2007, I wrote an article here entitled <a href="http://blog.larryeiss.com/2007/10/21/food-safe-wood-for-cutting-boards/" target="_blank"><em>Food Safe Wood for Cutting Boards</em></a> in which I said that I think all the concern over which woods are food-safe is overkill.  I referenced there a study done by Doctors Cliver and Ak of the University of Wisconsin, Madison.  This study was, according to Dr. Cliver, conducted after the U. S. Department of Agriculture told him that they had no scientific evidence to support their position that plastic cutting boards should be favored for home kitchen use.</p>
<p>I thought I had said all I have to say on that topic, but this week my daughter read me an excerpt from a book she had borrowed from the library.  The book is entitled <em><a href="http://www.amazon.com/gp/redirect.html?ie=UTF8&amp;location=http%3A%2F%2Fwww.amazon.com%2FGreen-Housekeeping-Ellen-Sandbeck%2Fdp%2F1416544550%3Fie%3DUTF8%26s%3Dbooks%26qid%3D1209691609%26sr%3D1-1&amp;tag=larryeisscom-20&amp;linkCode=ur2&amp;camp=1789&amp;creative=9325" onclick="javascript:pageTracker._trackPageview ('/outbound/www.amazon.com');">Green Housekeeping</a></em><img style="border:none !important; margin:0px !important;" src="http://www.assoc-amazon.com/e/ir?t=larryeisscom-20&amp;l=ur2&amp;o=1" border="0" alt="" width="1" height="1" /> and was written by Ellen Sandbeck.  On pages 118 and 119, Ms. Sandbeck recounts the Clive and Ak study in a much clearer way than the version of the information to which I had earlier linked.  Consequently, I thought I&#8217;d mention the book here so that people searching for information on food-safe woods can find it more easily.  Google has scanned this work, and you can see the referenced pages <a href="http://books.google.com/books?id=RIzcIEqrd8EC&amp;pg=PA118&amp;lpg=PA118&amp;dq=Cliver+and+Ak&amp;source=web&amp;ots=ThGo4Yupge&amp;sig=gRWXSIMn9uveveR-nfWb9eLVtHE&amp;hl=en#PPA118,M1" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/books.google.com');">here</a>.</p>
<p>As it turns out, other sites also reference the study.  One such site is that of cutting board maker, <a href="http://bwworks.com/Info.htm#4" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/bwworks.com');">BW WoodWorks</a>®.  There are a number of others as a quick search on &#8220;Cliver and Ak&#8221; will attest.</p>
<p>Given the apparent lack of any scientific evidence to the contrary, coupled with the experiential evidence of cutting board users themselves, it appears that wood is the way to go.  One important question that always arises is, &#8220;which species of wood is safest?&#8221;  The study tested at least seven species and found very similar results.</p>
<p>As I said in my earlier article on the subject, &#8220;I am certainly not an expert in biology, nor am I a doctor or anything remotely connected to those professions. I am simply still living and healthy after showing no concern about my wooden cutting boards.&#8221;</p>
<p>Please; go and read this information for yourself.  I&#8217;ll be using wood.</p>
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		<title>Raw vs. JPEG</title>
		<link>http://blog.larryeiss.com/2008/05/10/raw-vs-jpeg/</link>
		<comments>http://blog.larryeiss.com/2008/05/10/raw-vs-jpeg/#comments</comments>
		<pubDate>Sat, 10 May 2008 06:00:38 +0000</pubDate>
		<dc:creator>Larry</dc:creator>
		
		<category><![CDATA[Photography]]></category>

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		<guid isPermaLink="false">http://blog.larryeiss.com/?p=192</guid>
		<description><![CDATA[I have changed my opinion about shooting in Raw format.  Since I posted on the subject back in September 2007, I have come to what I think will be my final conclusion on the subject.  Since my opinion has essentially reversed from my initial position, (articulated back in September of 2006) I thought [...]]]></description>
			<content:encoded><![CDATA[<p>I have changed my opinion about shooting in Raw format.  Since I posted on the subject back in <a href="http://blog.larryeiss.com/2006/09/29/an-update-on-jpeg-vs-raw/">September 2007</a>, I have come to what I think will be my final conclusion on the subject.  Since my opinion has essentially reversed from <a href="http://blog.larryeiss.com/2006/09/06/jpeg-vs-raw/">my initial position</a>, (articulated back in September of 2006) I thought I&#8217;d take some time to talk about what led up to the change.</p>
<p>While <a href="http://www.kenrockwell.com/tech/raw.htm" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.kenrockwell.com');">Ken Rockwell</a> remains a fan of JPEG, I have converted to shooting Raw.  The final straw came as a result of two images I needed to process.</p>
<p>The first image is this one of a quiet morning on Seventh Lake in the Adirondack Mountains:</p>
<p><a href="http://blog.larryeiss.com/wp-content/2008/04/700_2144.JPG" title="Original"><img src="http://blog.larryeiss.com/wp-content/2008/04/700_2144.JPG" alt="Original" /></a></p>
<p>While this is a nice image, it needs to be brightened slightly to add shadow detail in the trees, and the light fixture at the peak of the boathouse roof gets distracting when you do that.  Here is the result I needed:</p>
<p><a href="http://blog.larryeiss.com/wp-content/2008/04/dsc_2144new700.JPG" title="New"><img src="http://blog.larryeiss.com/wp-content/2008/04/dsc_2144new700.JPG" alt="New" /></a></p>
<p>The problem is that I only have this image in JPEG format.  I wasn&#8217;t shooting Raw when this was taken.  I wanted to  print this image 20&#215;30 for my portfolio.  After manipulating it a couple of times (because I wasn&#8217;t clued in to the ramifications at first) I sent it to <a href="http://www.shutterfly.com/" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.shutterfly.com');">Shutterfly</a> for printing.  What came back was good, but has significant pixellation and artifacts due to resizing.</p>
<p>The original image is <strong>1.74 megabytes</strong> on disk.  The manipulated copy I sent for printing was <strong>535 kilobytes</strong> due to lossy JPEG compression!  I lost approximately two-thirds of all the data captured by my camera&#8217;s sensor! <em>Of course</em> the image I got back was less than perfect.</p>
<p>The second image was this one (I only show a crop here because it&#8217;s of my granddaughter and I don&#8217;t post images of our grandchildren on the Web):</p>
<p><a href="http://blog.larryeiss.com/wp-content/2008/04/croporiginal4431.JPG" title="Crop of Original"><img src="http://blog.larryeiss.com/wp-content/2008/04/croporiginal4431.JPG" alt="Crop of Original" /></a></p>
<p>As you can see, the image is too dark.  This happened because she was playing and I was shooting, but the best image happened at a moment when the flash wasn&#8217;t ready.  So I needed to brighten the image.  Here&#8217;s the result:</p>
<p><a href="http://blog.larryeiss.com/wp-content/2008/04/cropretouch4431a.JPG" title="Retouched Crop"><img src="http://blog.larryeiss.com/wp-content/2008/04/cropretouch4431a.JPG" alt="Retouched Crop" /></a></p>
<p>Note that terrible noise behind her hair.  Removing that meant a lot of work using layers and further degrading parts of the image.  This noise was noticeable even in a 4&#215;6 print.</p>
<p>JPEG images delete some of the data captured by the camera.  Raw images allow it to be preserved no matter what I do&#8211;assuming I use intelligent software.  I can&#8217;t afford to throw away image data, so now I shoot Raw.  Since my Nikon has the option to shoot both Raw and JPEG at the same time, I actually do that so that I can quickly print some images or show them to family without processing them.</p>
<p>I won&#8217;t be going back.</p>
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		<title>J. C. Jordan Shoots Finland</title>
		<link>http://blog.larryeiss.com/2008/05/03/j-c-jordan-shoots-finland/</link>
		<comments>http://blog.larryeiss.com/2008/05/03/j-c-jordan-shoots-finland/#comments</comments>
		<pubDate>Sat, 03 May 2008 09:00:19 +0000</pubDate>
		<dc:creator>Larry</dc:creator>
		
		<category><![CDATA[Photography]]></category>

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		<description><![CDATA[I was in Helsinki Finland (on business) recently and ran into John Jordan, a photographer who chronicles extreme sports and the Finnish countryside and culture.  John is a great guy and has written a book entitled simply Finland containing some of his work.  I encourage you to drop by John&#8217;s site.  Tell [...]]]></description>
			<content:encoded><![CDATA[<p>I was in Helsinki Finland (on business) recently and ran into John Jordan, a photographer who chronicles extreme sports and the Finnish countryside and culture.  John is a great guy and has written a book entitled simply <em>Finland</em> containing some of his work.  I encourage you to drop by <a href="http://www.photojcj.com" target="_blank" onclick="javascript:pageTracker._trackPageview ('/outbound/www.photojcj.com');">John&#8217;s site</a>.  Tell him I sent you.</p>
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